The Trews
After all, it’s their career equivalent to Led Zeppelin’s Physical Graffiti or REM’s Green, the Beatles’ Rubber Soul and The Tragically Hip’s Phantom Power; the apex of decades-long musical ingenuity arriving at a juncture where there is nothing, truly not one thing, left to prove.
Yet you’d be dead wrong. In what can only be described as a rage against stasis, The Trews approached Civilianaires, their electrifying and wildly original follow-up to 2014’s The Trews, the way a contractor tackles a kitchen reno: tearing things down to the studs, then building out piece by new piece.
Coming from the rock and roll bruisers who delivered the absurdly sticky “Rise In the Wake,” “Beautiful & Tragic,” and “Hold Me In Your Arms,” that’s a whale of a claim. But nothing about Civilianaires scans as even remotely garden-variety. It’s almost as if the new album leveraged all the obsessive musical minutiae the band has been stockpiling in its collective noggin since their kiddo days playing together in small-town Nova Scotia. (They now call the fast-rising cultural hotbed of Hamilton, Ontario home).